Painters of Karaganda

Painters of Karaganda

 

AMEEV BEKTEMIR SHAPENOVICH

1949-2003

Graduated from Almaty art school in 1969, the painter, the sculptor of monuments, the member of the Union of artists of RK.

B. Ameev one of those artists which connected the sensitive in art and rational began: its works are always verified, calculated, but, at the same time, and are filled with deep feeling of participation in the events. It as though programs the viewer to a certain line of perception of the works, including in it all ways of interaction with reality. Thus it does the main emphasis on a psychological condition of heroes, going deep into its base bases.

 

ANDREYUK PAVEL STEPANOVICH

1923-1992

Ended three courses of Omsk art school in 1941, the painter, the schedule, the member of the Union of artists of RK, one of founders of the Karaganda regional organization of the Union of artists of RK.

P. Andreyuk preferred to work in a landscape and a portrait. He one of the first in Karaganda addressed to an industrial and urban landscape: wrote mines, waste heaps, streets of the city under construction. Its works besides the art have still value of the historical document: so precisely and authentically it transferred, landscape motive, but at all completeness of details inherent in time P. Andreyuk's canvases are very lyrical, emotional are filled.

 

ANTOPENKO PETER KUZMICH

1921-1985

Graduated from Almaty art school in 1949, the painter, the schedule, the member of the Union of artists of the USSR, one of founders of the Karaganda regional organization of the Union of artists of RK.

P. Antonenko's greatest successes achieved in the field of a portrait though worked both in a landscape, and in a still life, and in a subject and thematic picture, did mosaics, lists, magnificent trailers. In a portrait to the artist was a little external similarity, it "read out" character of the person, and already through it learned time or perception of time the hero. P. Antonenko was the thin and courageous painter, able to experience the thinnest scale, to create unexpected combinations of color. This picturesque "delicacy" more all is inherent in its still life and landscapes in which the artist shows all richness of emotional perception of the world.

 

BUSH VICTOR PETROVICH

1934-1986

Graduated from the Penza art school in 1964, the painter, the member of the Union of artists of the USSR.

V. Bush worked practically in all genres, but preferred a household picture and a still life: the story about usual life of ordinary people and subjects, them surrounding, In life and art he looked for a harmony formula as highest manifestation of beauty and truth, and under a brush of the master the ordinary found the importance of a symbol of the being of life, its enduring, though simple, values.

 

ESIRKEEV RAYMKUL ESIRKEEVICH

1921-1980

Vocational education didn't receive. Painter, schedule. Member of the Union of artists of the USSR. One of founders of the Karaganda regional organization of the Union of artists of Kazakhstan.

The main subject of creativity of R. Esirkeev - the person. The artist is well-known for the numerous portraits of fellow countrymen. It finds something in each of them precious for itself(himself), that defines human essence of the hero. R. Esirkeev's many portraits are composite. The master likes to tell in detail that surrounds the person in his usual life where he feels freely and reveals completely. The feeling of a unification of the person with the world, completeness of coverage of reality amplifies equally attentive, love relation of the artist both to the person, and to the nature in which it exists.

 

ZHUNUSOV MARAT KAYSINOVICH

1947-1999

Graduated from the Leningrad institute of painting, a sculpture and architecture of. I.Repin in 1973, the painter, the member of the Union of artists of RK. M.Zhunusov on nature of the talent - the lyric poet. In the works it synthesizes vital impressions, weaving from them a picturesque fabric of the narration embodied in color. In a portrait, a landscape, a picture the image is under construction on the color-plastic relations therefore the space of its works can be vaguely, infinitely and quietly, but can pulse, to a limit filled with energy from which clot figures of people, animals, subjects symbols are born. In cloths of the artist everything merged together: space, terrestrial nature, live beings. And all this grows from dabs expressive the paint imposed on a canvas which becomes emotionally rich color, dense, certain, active in one case, easy, light, changing in other.

 

KRYLOV VICTOR IVANOVICH

1928-1978

Graduated from the Latvian Academy of Arts in 1955, the painter, the schedule, the sculptor of monuments, the member of the Union of artists of the USSR, the Honored worker of arts Kazakh the Soviet Socialist Republic, one of founders and the first chairman of the board of the Karaganda regional organization of the Union of artists of RK.

V. Krylov's creative range is very wide: it worked practically in all types and genres of the fine arts, preferring a subject and thematic picture and a portrait. Regular occupations by monumental art (the list, a mosaic, a relief) helped it to develop the laconic expressive language where decorative effect and stylization organically incorporated to an emotional saturation and historical persuasiveness with painting. In its works practically there is no narration, it gravitates to creation of the generalized image of time more, embodying it in faces of heroes of the cloths. Addressing to female images, the artist becomes a lyric poet, creating deeply poetic works penetrated by big personal feeling.

 

RECHENSKY PAVEL IVANOVICH

1924-1999

Vocational education didn't receive. Painter, schedule, sculptor of monuments, member of the Union of artists of RK, one of founders of the Karaganda regional organization of the Union of artists of RK.

Subject of fight of the Good and evil - a thread of creativity of the Item Rechensky. At all allegoricalness of language of the artist, it is quite certain. It sates with a composition expression, with internal dynamics fills color, forces, and, sometimes, bares the feelings of heroes hidden, but breaking through masks. With kind, and at times and a sarcastic smile the artist in the parables and fairy tales on fight of the Person and the person which remain invariable at all times tells. And everywhere near laughter - tears, pain for the Person in the person. It is a difficult philosophical, moral and ethical perspective it appears available, if not for understanding, for understanding by any person. By metaphorical development of problems for it not so purely formal "correctness" of the image was important. From here and seeming negligence of drawing, dab, for which - freedom conducting to a main objective - to achievement of the highest expressiveness, shrillness of an image.

 

SANOSYAN SARKIS MANUKOVICH

1922-2004

Ended three courses of the Yerevan art school in 1941, the painter, the member of the Union of artists of RK, the Honored worker of arts Kazakh the Soviet Socialist Republic, one of founders of the Karaganda organization of the Union of artists of RK.

S. Sanosyan - the artist of a big creative range equally freely working both in academic, and in an expressionistic manner.

The main subject of his creativity - nature life in all its beauty, complexity, movement. He creates big landscape series in which the nature becomes object of art and poetic judgment, understanding of unity of the person and world around. In each cloth he notes characteristic, inherent only to this concrete landscape, and at the same time revealing the general beginnings of a universe.

In the person the artist opens activity of the creative beginning in urban landscapes. It considers city architecture as the "second" nature created by hands of the person in which time, character of the people and the state very precisely is reflected.

 

SHAMSHIN VENIAMIN VYACHESLAVOVICH

1928-2004

Was born in 1928, graduated from the Yaroslavl art school in 1956, the painter, the schedule, the member of the Union of artists of RK, one of founders of the Karaganda organization of the Union of artists of RK.

V. Shamshin works in traditions of classical school of painting: in detail develops plots of works, thoughtfully builds their compositions, shows consideration for details for each trifle should work for an image which reliability is vital for the artist as it in the cloths considers important and difficult questions. Questions of spiritual formation, questions of struggle of the spirit, closely connected with questions of art culture. Extraordinary persons, great musical and literary works in which experience of the whole eras accumulated became a starting point in their decision for V. Shamshin. All valuable that came to us from the past, the artist considers possible to involve to the story about inspiration, about high thoughts and fulfillments, about character of time, about a victory of spirit over a flesh.

 

USTYANTSEVA LIDIA IGOREVNA

1949

Was born in 1949, graduated from the Karaganda State university of Buketov in 1994, the artist application engineer, the member of the Union of artists of RK.

L.Ustyantseva works in a gobelin, batic, the special attention gives rug, reviving this ancient equipment in new quality, creating volume works. Its creative credo is an openness, openness of feelings, ideas, attitudes. Harmony of the nature and the person - here in what sees the artist the main objective and according to it builds the compositions, differing an architectonicconstrained an ornamentation, refinement of color.

 

ABEUOV OMERKELDY MUHTAROVICH

1948

Was born in 1948, graduated from Almaty art school in 1976, the application engineer, the member of the Union of artists of RK.

O. Abeuov works in the field of a gobelin and woodcarving, giving obvious preference to the first. He creates subject gobelins of the monumental sizes, small exhibition works. The main subject of his creativity - time, as a fundamental cosmological substance. He solves it through the archetypal symbols developed by traditional art during the millennia and clear practically to all people. More often O. Abeuov uses a circle as a symbol of eternity, the dynamic beginning of a universe. This multiple-valued symbol in different compositions opens different sides: fertile sun, all-consuming time, unity of the people.

For the artist time - not abstract concept. Every era has the social contents, the rhythm of a current. O. Abeuov's works always targeting. The historical reality is shown in them in plot development, in the characteristic signs of a certain period doing time by the recognizable. The philosophic approach in the solution of an image is supplemented with decorative effect of the graphic language which is emotionally sating work.

 

ABYLKASOV MINGISH MAULENOVICH

1943

Was born in 1943, graduated from Almaty art school in 1965, the painter, the schedule, the member of the Union of artists of RK, the Honored worker of arts Kazakh the Soviet Socialist Republic.

M. Abylkasov works in the field of an easel picture, a landscape, a portrait. In its works, to whatever genre he addressed, there is no developed subject action: it would distract from entry into an image which is under construction on the internal dynamics revealing in the nature of picturesque plasticity, intensity of the color relations, an emotional saturation of the stylized form. The desire of spiritual knowledge, penetration into an essence of things and the phenomena which would reveal a basis of relationship of the person and the world, forces the artist to address to the simplest motives in which the truth is put: the earth and the sky, the steppe and a tree, the city and the person, they find allegorical, sign character. The measured rhythm of the composite constructions, tightening depth of space of its cloths create feeling of eternity, a life continuity. In it there is something from east profound self-knowledge when time circle when all richness of life experience of the mankind, saved up for eyelids, is passed through individual perception becomes isolated, becoming deeply personal and, from it, extremely effective.

 

AYTUAROV ERLAN SAHIPOVICH

Was born in 1950, graduated from the Lvov state institute of decorative and applied art in 1979, the painter, the sculptor of monuments, the member of the Union of artists of RK, the Honored worker of culture of RK, the Honored worker of RK, the academician of Academy of Arts of RK.

In painting the artist works in genres of a historical picture, a portrait, a landscape. In the historical cloths he tells about the most significant moments in formation of the Kazakh nation, the Kazakh statehood. Thus, relying on the last development of historians, archeologists, paleographers it gives, often unexpected, not traditional treatment of represented events from positions of their philosophical, moral and ethical interpretation that considerably deepens perception of historical process, staticizes it, does emotionally authentic. Language of historical cloths of E.Aytuarov is metaphoric, in it each detail of composition connecting the events both with the past, and with the future semantic is filled, connecting events in a uniform time stream. In portraits and landscapes the artist also gravitates to historicity. It is shown not only in a plot choice, but also in the system of an image filled with breath of time.

Desire fuller to capture a past subject, to render to it a due tribute led E.Aytuarov to creation of the architectural and plastic composition reflecting a turning point in the history of the people: understanding of unity by it. The sign basis of work, as always at the artist, moves apart temporary and national borders, giving to a monument general character.

 

AMANBAEV MANATBEK SAGYNDYNOVICH

Was born in 1959, graduated from the Kazakh State teacher training college of Abay in 1981, the schedule, the member of the Union of artists of RK.

M. Amanbayev works both in easel, and in book graphics in printing technicians linocut and an etching. Concerned by destinies of the homeland, in the works he considers questions of interaction of a traditional life and a modern civilization, paying attention to destroying action of unreasoned intervention not so much in centuries the developed way of life, how many in fragile ecology of a steppe and semiarid landscape. He likes to enter signs of concrete historical time into sheets, connecting different eras in one chain of development of the people, the country.

The born schedule, M. Amanbayev is able to create in composition harmony black and white, to show depth of conditional space, without destroying thus the leaf plane. Its stroke is juicy and certain, it lays down in a form, defining plasticity of volume and giving a feeling expression.

 

BAYKENOV MALIK RAISKHANOVICH

Was born in 1944, graduated from school studio at the Moscow Art Theatre in 1973, the artist of theater, the painter, the aquarellist. Member of the Union of artists of RK, Honored worker of culture of RK.

M. Baykenov within thirty years works at the Karaganda theater of the musical comedy as the art director. During this time it put many performances: these are operas, ballets, comedies, vaudevilles, fairy tales. In theater the artist owns all genres, and not only does registration of performances, but also develops sketches of suits, a make-up, hairdresses, creating uniform ensemble of statement.

In easel art M. Baykenov works in oil and a water color, preferring portrait and landscape genres. In a landscape it is always exact in transfer of characteristics of natural motive of the district. But after all the aspiration not to documentary reliability of the image, and to creation of a certain mood dominates here. Its lyrical landscapes are filled with often elegiac feeling which has been given rise by understanding of transience of life against the eternal nature. His letter manner delicate, reflectively, assuming attentive long consideration of work, entry into its space.

 

BAYTENOV MAZHIT SADYKOVICH

Was born in 1949, graduated from the Karaganda State university in 1994, the member of the Union of artists of RK, the Honored worker of culture of RK.

In the creativity Baytenov M. S. addresses to various genres: landscape, portrait, household and symbolic and metaphorical picture. The circle of problems which he develops, concerns questions of traditional national culture, cultural history of Kazakhstan. Thanks to the congenital talent in connection with profound knowledge in the field of history, a life, customs of the people, the artist creates works in which the main intrinsic subject of the Kazakh traditional art - the unity of the person and a universe - finds modern sounding. Especially powerful impact on the viewer renders the color-plastic solution of its cloths when the person in works of the artist learns native since the childhood the colorful combinations which have been harmoniously connected about idle time, but substantially filled form. Addressing to history of the people, Baytenov M. S. emphasizes a continuity of modern culture with culture of ancestors: juice, Turkic peoples, at the same time confirming her timeless, universal character, revealing the true values inherent in it. Thus, in the creativity it applies both traditional, and vanguard graphic receptions.

 

EGALIN AYBEK KALENOVICH

Was born in 1963, graduated from the Moscow state art institute of V. Surikov in 1989, the painter, the schedule, the member of the Union of artists of RK, the Honored worker of culture of RK.

In A.Begalin's picturesque cloths certain " Otherworldly" when familiar images find hitherto unknown lines when terrestrial events find universal scales involves, and already in scales of a universe problems of survival of mankind are solved. They are based on problems moral and ethical, which seen within mythology: bible, pagan or thought up by the artist. But in any case is a struggle of the good and evil, light and darkness. More brightly to highlight opposition of these beginnings, A.Begalin hardly structures space, extremely sates it with multidirectional movement, phosphorescent, finding semantic loading, light. For the solution of the difficult philosophical and ethical questions underlying work, the artist creates the graphic language extremely precisely answering to tasks put before it that gives it to pictures timeless the general character independent from subject base which he, nevertheless, carefully develops as literary basis can lead the viewer on labyrinths of the senses offered by the author.

 

BILYK ANATOLIY PETROVICH

Was born in 1928, graduated from the Dnepropetrovsk art school in 1950, the sculptor, the member of the Union of artists of RK, the Honored worker of arts Kazakh the Soviet Socialist Republic, the honorary citizen of the city of Karaganda, one of founders of the Karaganda organization of the Union of artists of RK.

A.Bilyk is a lot of time and attention gives to monumental art. It created more than twenty monuments and monuments in many cities of Kazakhstan. The artist made the most considerable works for Karaganda. It is a monument to N. Abdirov (together with Y.Hummel), a monument "Miner's glory". In them it is inspired by heroics of a feat and work heroics - for it they are in many respects similar.

Working over monuments, A.Bilyk comprehended secrets of space and its relationship with sculptural volume, experienced plastic beauty of the generalized stylized form. The artist embodies these finds in easel creativity. It - first of all portraits in which, as well as in statutory compositions, the heroic beginning prevails. It likes people strong, courageous, completely being given, to the business therefore it often molds Heroes of the Soviet Union and Heroes of Socialist work. In them he sees an embodiment of the ideal. Near at hand the sculptor simple lines of a human face change, becoming considerable, spiritualized. In them specific features of the personality, how many the universal beginnings of concrete character reveal not so much. The sculptor in portraits of close people where character reveals in all the completeness is more lyrical also persons.

 

VICTOROVA NATALYA NICKOLAEVNA

Was born in 1957, studied in Uralsk art school, the painter, the application engineer, the member of the Union of artists of RK.

N. Viktorova's cloths attract attention any attractive force concluded in them. They are strange and original the strangeness, strangeness not only external manifestations, but also contents vaguely guessed behind this external layer. It isn't unequivocal, and can be deciphered differently. And, even names of works don't clear up thought of the artist, and, on the contrary, even more cipher it. Often N. Viktorova addresses to the mythology described in literature and undescribed, but read, deduced on a surface from depths of collective memory of mankind. The characters who were in her pictures, often impersonal, are unknown and familiar to us at the same time. They embody feelings and moods, and emotions: hope, disappointment, happiness, grief, repentance... They arrest us to themselves, force to peer into itself attentively and fixedly, help to realize itself. It also draws to ascetic, to Natalia Viktorova's often almost monochrome, extra spatial and timeless pictures: possibility to get acquainted with itself unknown.

 

DAURENBEKOV NURLAN MUKHAMEDZHANOVICH

Was born in 1969, graduated from the Kazakh State art academy in 1994, the painter, the member of the Union of artists of RK.

N. Daurenbekov equally freely owns both traditional, and vanguard receptions of art expression. He writes easily and gracefully, freely passing from one stylistic manner to another, not because yet didn't choose a way but because it would be desirable to capture the immense world and everywhere to tell the word. He is able to write values, is able to connect local open colors, is able to fill a canvas with air, is able to approve surely the plane, showing thin coloring, feeling of harmony of the composition which is often containing a big range of senses. N. Daurenbekov's works, whether it be a landscape, a portrait or a thematic picture, polysemanthic, are metaphorically saturated, the plot literature practically isn't peculiar to it. It works at a complex of associations which easily directs the general organization of a canvas: color, spatial relations, plasticity of a form. The artist in abstract or semi-abstract cloths is most adequate. Here freedom caused only by movement of feeling, intense, passionate, restless or weakened, full of luxury reigns.

 

ESIRKEEV KUANYSH RAYMKULOVICH

Was born in 1947, graduated from Almaty art school in 1968, the painter, the member of the Union of artists of RK.

K.Esirkeev treats that generation of artists of Kazakhstan which in the 1960th years created new national art. In the creativity he refuses a narration and the graphic receptions peculiar to the Soviet easel works. He looks for a universal formula of the life which all phenomena for it are equivalent. In search of this formula K.Esirkeev refuses any particulars and details which would distract from the main thing. For it as though there is no prospect and laws of creation of space, a treatment of light and shade, voice-frequency transitions. It intentionally splits up volume, aggravating the form which each side is designated by the tone. Color becomes not coloring of a surface of a subject, and its sign. The broken line of contour, not paying attention to nuances and separating the image from a background, draws an intrinsic formula of the phenomenon filled with emotions heated to the last limit on a cloth. They don't come to light, don't form action, they as the compressed spring, are waiting in the wings. Outwardly K.Esirkeev's canvases aren't simply static, and immobility, but internal dynamics color forms, codifying historical events, the phenomena of culture surrounding landscapes, characterizes them, correlating both with an instant, and to eternity.

 

ISLAMOVA FANIYA YAKUBOVNA

Was born in 1954, graduated from the Kazan art school in 1979, the painter, the member of the Union of artists of RK.

F.Islamova creates the symbolic and allegorical pictures filled with freaks of the imagination when everything is unstable when forks space when indefinitely multi plans the image revealing in artful designs of color and light. F.Islamova difficult writes, loading a canvas with several layers of interpenetrating color, and then one volume follows from another, creating difficult, semantic a saturated form.

In her pictures practically there is no action, to them it is very difficult to think up plot the developed story constructed on laws of formal logic. F.Islamova never writes a concrete event, she writes the eternity which mold is begun to see clearly in openness of feeling, in not turbidity of consciousness. Emotional clarity, giving to works of the artist philosophical coloring, brings a empathy order in the work, directed by a gentle touch of a brush.

 

KALIEV ZHAUBASAR IGLAMBEKOVICH

Was born in 1945, graduated from the Leningrad institute of painting, a sculpture and architecture of I.E.Repin in 1980, the sculptor, the member of the Union of artists of RK.

In the creativity Z.Kaliyev develops traditions of a classical sculpture, enriching it with national understanding of the plastic beginnings. He equally successfully acts both in easel, and in a monumental sculpture. In easel works the artist develops a portrait subject, focusing the attention to persons extraordinary, made a contribution to cultural development and region and republic sciences as a whole. These are portraits of artists, architects, doctors, scientists, writers. In them along with transfer of individual traits, the author gives the social characteristic to the heroes, reflecting specifically historical bases of the personality.

The artist in a monumental sculpture achieves the greatest successes. It created monuments Kazybek bi, to A.Bukeykhanova, Z.Akbayev, A.Ermekova, Kurmangaza, Zhambula in which it opens not only personal characteristics of outstanding people, but also states an assessment of their activity from the point of view of historical prospect, estimating the importance of their contribution to formation of the Kazakh statehood and development of national culture.

 

KALKABAEV MURAT

Was born in 1948, graduated from the Lvov state institute of decorative and applied art in 1975, the painter, the sculptor of monuments, the application engineer. Member of the Union of artists of RK, Honored worker of culture of RK.

M. Kalkabayev equally successfully works in easel painting, monumental and decorative art, in recent years actively is engaged in decorative plasticity. In the creativity it shows deep understanding of national traditions that, in a combination to high professionalism, allowed it to develop individual style of creativity. In its subject large felt mat and gobelins the ornamental principle, a difficult interlacing of the symbols deciphering a thematic basis of work triumphs. In painting the artist investigates possibilities of color, forms, lines more deeply to get into essence of fundamental concepts of a universe: space and time, spirit and a matter, from relationship and interferences.

M. Kalkabayev creates sculptural works, proceeding from structure of architectural space. And here, as in painting or applied products, him doesn't excite concrete plot structure, for it big subjects when plasticity defines the maintenance of an image are important, giving rise to a wide range of associations. Returning us to culture sources, he addresses to architectural and plastic compositions in which the laconic, perfected language defines essence of an image formula, exact and multiple-valued.

 

KALMAKHANOV SEYTMAHAN KALKHAMANOVICH

Was born in 1940, graduated from the Moscow Highest art and industrial school in 1972, the painter, the member of the Union of artists of RK.

S. Kalmakhanov began the career as the designer of interiors and exteriors, however, for the last decades he is engaged in painting. It the historical phenomenon of his ancestors on which the new culture today grows interests. Therefore often in its cloths there is an image of a traditional life or the traditional crafts which have not lost the value today. They it is always composite are verified and decoratively saturated. In a portrait genre the artist prefers creation of the typical image reflecting features of generation or an era: as a result the portrait finds lines of a monumentalization, the special importance of the hero. Work on global subject caused some dryness of the letter, a rationalistic of constructions. But at the same time its cloths are romantic on the most essence for in them the big love to the earth, to the people is put.

 

KISHKIS PETER PETROVICH

Was born in 1953, graduated from the Leningrad highest art and industrial school of V. Mukhina in 1983, the painter, the sculptor of monuments, the member of the Union of artists of RK.

P. Kishkis creates pictures metaphors, lists metaphors in which often uses the images archetypes returning us to sources of life where the true knowledge is stored. In the compositions the artist closely approaches to truth, but never opens it up to the end: the innuendo gives freedom, inspires thought and feeling. He aspires to fix this uniform feeling thought, creating a vision not external, but internal when each detail, each particular leading to a complete picture of the world is valuable. The letter thin, almost transparent adjoins in its cloths to blinking of "loaded", impressive, richly color pieces. Tenderness and the rigid pressure, strengthening each other, each other sprouting, create a sanguineous image of the world. Not closed, waving its compositions are constructed on the seeming accidents, unstable bounce, but it would not be desirable to close, cut down or continue them - paradox of art space: compositions will self-organize, covering a universe, convincing us of a polysemy of manifestations of truth.

 

MUSTAFIN BEYBIT ERMEKOVICH

Was born in 1961, graduated from Zhezkazgan teacher training college in 1983, the painter, the member of the Union of artists of RK.

B. Mustafin - very modern artist. He thinks not a plot, and a subject. Subjects takes the most different, but prefers the subject reflecting a traditional life, traditional representations of the Kazakh people which it interweaves into the general stream of movement of time therefore the artist considers the concrete phenomena and actions in a metaphorical key. The metaphor allows it to interpret freely an image, filling it with various shades of feelings. The main emotional loading in cloths of the artist is born by color. Color forms the spatial relations, defines plasticity of a form, reveals accents. The light scale with big masses white, almost pure, colors incorporates colors of the earth and the sky, being enriched with them, sated with life currents. Wide expressional dab that thinned, gaining in strength, defines dynamics of a cloth, structures the uniform color plastic massif. Thus the archetypal representations put in the maintenance of a picture, are staticized, and the metaphor starts to work, as a symbol uniting three faces of time: last, real and future.

 

OSIPENKO ANDREY IVANOVICH

Was born in 1927, graduated from Almaty art school in 1954, the member of the Union of artists of RK, the artist of theater, the painter, the winner of an award of G. Tsadasa.

A.Osipenko on a warehouse of the talent - the theatrical artist: the desire isn't simple to live the life, but also to grow in experience other, bygone lives, in it is great. For it will important share the historical researches which conduct in the future, with contemporaries. Together with W.Shakespeare, B. Brecht's heroes, A.Chekhov, N. Gogol, R. Gamzatova he lived formidable life full of deep experiences. Its scenography is a formula of an image of performance which is deciphered, specified, removed by heroes in the course of performance. Not verbosity, clearness of art formulations - characteristic feature of works of A.Osipenko. In easel art he acts any more as the interpreter, and as the idea man. Composite portraits, pictures on mythological and historical subjects are filled with shrill feeling of participation. As the artist, it can't be away from transformation of consciousness of the modern person. The pain for imperfection of spiritual organization of society of A.Osipenko doesn't shift on the viewer, and tries to transform in positive images, using known characters, giving to the viewer a reference point, a clue in the everyday sea.

 

PLOTNIKOV ALEKSEY PETROVICH

Was born in 1940, graduated from Almaty art school in 1970, the painter, the member of the Union of artists of RK.

A.Plotnikov works practically in all genres, but especially it manages subject and thematic pictures. He writes them as on concrete subjects, and the abstract and metaphorical contents. He devoted many works to miners of Karaganda and metallurgists of the Kazakhstan Magnitogorsk. These are large multifigured compositions with a little forced color, the increased decorative effect, the pleasures of life penetrated by feeling.

Having developed the decorative manner of the letter, the artist gravitates to classical school that is especially brightly shown in his still lifes with their special "perfection", desire to track all changes of a form, to give to volume vital the full-blooded. Thus, in a still life it widely uses the composition methods used by it in an allegorical picture: a space abstraction, extent of time, deducing the represented motive from the ordinary in the sign symbol status.

 

PROTSENKO VLADIMIR ALEKSANDROVICH

Was born in 1961, graduated from Krasnoyarsk State art institute in 1992, the painter, the member of the Union of artists of RK, the Honored worker of culture of RK.

Vladimir Protsenko - the bright representative of classical school of painting with its built composition, the verified spatial relations, firm drawing, a color nuance, aspiration to accuracy in reality transfer. A conducting genre of his creativity a landscape though equally freely he feels in any genre situation. The artist writes various landscapes, but more all bewitches it the steppe. The infinity and eternity of extended spaces approve infinity and eternity of life. It is possible to call its cloths steppe formulas - its color and spatial formulations are so exact. Already in the motive the artist is released from all casual, insignificant. As a result the idea appears at us uncomplicated. The idea of greatness is even not so much nature, how many universe and life. V. Protsenko's steppe landscapes are filled than not broken silence. She allows to enter into other world, not so physical, and spiritual. The high sky, the immense open space fence off from a momentary, entering into eternity space when the person remains alone with itself, and the nature serves as a sample with which we commensurate ourselves.

 

RAKOV VICTOR ANATOLYEVICH

Was born in 1961, graduated from the Penza art school in 1986, the painter, the member of the Union of artists of RK. 

I.Rakov writes generally landscapes, still lifes, female images, occasionally addressing to a subject-symbolical picture. The artist the reality as that doesn't interest, in each represented motive he would like to see something from the eternal values expensive to human heart. He never writes conflict situations, and writes pleasant, that calms that gives confidence of life. Important for itself(himself) he considers preaching of "pure" beauty which expresses in thin color combinations of the pulled together tones, in almost musical harmony of the line. Color for it - an ideal and almost unique means of communication with the viewer: it transfers mood, feeling of slowly current measured life, it makes out the volume and spatial relations, designates plasticity of a form a combination of various invoices: from almost glossy to the uneasily rough. Its cloths are simple, but are filled with movement of feelings: tranquil pleasure, melancholy, pleasure.

 

SMIRNOVA LYUDMILA PAVLOVNA

Was born in 1949, graduated from art and graphic faculty of the Karaganda teacher training college in 1974, the aquarellist, the sculptor of monuments, the member of the Union of artists of RK.

L.Smirnova works generally in the field of a landscape though with pleasure writes still lifes, genre scenes. Its water colors differ elegance of the letter, any special refinement of a reserved palette, accuracy of the thin plastic line which it isolates a certain volume from weight of color. Beauty of the world the artist makes out sincere feeling of admiration as the harmony reigning in it. Therefore it is always so free in manifestation of this feeling, it is so courageous in the letter varying various picturesque receptions. Its harmony develops of few components, however behind restraint, not verbosity depth reveals is thin the nuance feelings forming an image. When the artist addresses to a landscape, it always precisely transfers to feature of a landscape of the district, characteristic details of a city landscape of Central Asia, Russia, Poland, Kazakhstan. She is able to feel and transmit spirit of their culture, national character of the people, in the instant stopped by it realizing its centuries-old history.

 

SNISHCHUK PETER POLIKARPOVICH

Was born in 1945, the sculptor, the member of the Union of artists of RK studied in the Odessa theatrical and art school.

P. Snishchuk works only in a tree. He feels as finger-tips warmth and tenderness of this material rich with possibilities. In it he creates a round sculpture, a thin relief, a juicy decorative carving in which recovers most I smother a tree. Spirituality and spirituality of life as the basic, its fundamental quality, became the main subject of creative searches of the artist. Especially brightly it is shown in its relief icons, many of which he devotes to Virgin Mary. Gently inclined head, a rush of the baby who has snuggled up to mother - in them heat and a credibility of the relations, but also understanding, the foresight of the future introducing a mournful note in this picture of happiness. Often the master addresses and to folklore images which in his native Ukraine personify the nature. The gentle maiden bodies forever connected to trees, are especially touching and defenseless against weight of branches and leaves. Fluid plasticity of their forms and silhouettes reveals in them the poetic spiritual beginning, so important for the artist.

 

TSOY ALEXEY

Was born in 1929, graduated from Almaty art school in 1970, the sculptor, the member of the Union of artists of RK.

A.Tsoy began the labor activity by the miner therefore his main works are devoted to miner's work. In them he not simply tells about the heroes or their work, but develops problems of social psychology, well-known to the artist on a personal experience. Creativity of the artist variously on genres. It first of all portraits of notable miners of Karaganda, the oldest miners in whom along with transfer of portrait lines it opens a social basis of characters, showing unity of representatives of the different nationalities united by uniform aspirations. In sculptural compositions nature of work, how many nature of its impact on the person reveals not so much.

Recently along with a sculpture Tsoy A. is engaged in painting much. In the cloths he develops a subject of Stalin repressions which solves in a metaphorical key, without showing directly horrors of this terrible time, and creating the grief atmosphere, a subject of human relationship in which the beauty of love, heat of friendship reveals.

 

SHCHEGOLIKHIN SERGEY DANILOVICH

Was born in 1953, graduated from art office of the Leningrad polytechnic at the ARSD regenerative center in 1977, the painter, the member of the Union of artists of RK.

S. Shchegolikhin works in the field of a lyrical and city landscape. In the creativity the artist develops traditions of Russian impressionism which is close to it desire to transfer live life of eternally changeable nature, to stop a look on unpretentious beauty of surrounding landscapes. The gifted painter, it doesn't want to strike us with unusual compositions, the bulky speculative constructions nonplusing often the viewer. He sees the most tiny nuances of the color relations inaccessible to a usual eye, and by means of color transfers not only a state of nature, but also mood, the general feeling of life. Moods of its landscapes different, but even in sad autumn day he has a presentiment of a miracle of the solar phenomenon. And when he writes clear days, the sun sparkles on all surface of a cloth, and everything blossoms, revealing to it towards.

 

ALIYAKPAROV MAKASH TYNYSHTYKPAEVICH

Was born in 1937, graduated from Semipalatinsk State medical institute in 1966. The academician of NAS RK, the doctor of medical sciences, the professor, the painter, the schedule, the member of the Union of artists RK. Medical scientists, the researcher of cultural history of Kazakhstan, M. Aliyakparov possesses rare picturesque gift. He is able to write, attentively and lovingly transferring to feature of nature, but can transfer in passionate flight of expressional dabs the being of the phenomenon, connecting, apparently, unjoinable concepts.

 

 

AYTUAROV DAULET YUSUPOVICH

Was born in 1956, graduated from the Leningrad institute of painting, a sculpture and architecture of. I.Repin in 1987, the schedule, the application engineer, the member of the Union of artists of RK.

Working in many types and art genres, D. Aytuarov prefers a water color. Generally it is the landscape motives sometimes seen, but often written on imagination. It is impossible to call these last a usual landscape, it more likely an equivalent of attitude of the artist, his attempt by color, character of water color dab to tell about itself, the inner world.

 

ARENT VICTOR ANTONOVICH

Was born in 1960, graduated from Krasnoyarsk State art institute in 1993, the application engineer, the member of the Union of artists of RK.

V. Arent works in ceramics. It executed a number of the decorative sculptures decorating streets and parks of Karaganda in this material. Its works organically join as in an urban environment, and interiors of public buildings, cafe, restaurants, offices. It will successfully stylize natural forms, giving them the status of a certain formula where behind external avarice of a form multiple senses disappear.

 

BAGRAMOV IGOR MARATOVICH

Was born in 1961, graduated from Almaty state theatrical and art institute in 1986, the painter, the schedule, the member of the Union of artists of RK.

In the creativity the artist gravitates to convention, decorative effect. Difficult constructions, a work, philosophical pomposity are alien to its works. For the artist a certain accuracy in transfer of external characteristics of landscape motive, the subject world is important, but he doesn't paint their "portrait", and, stylizing them, "imposing" on them the mood, sates an image with certain emotions. And then simple motives become a symbol and image of beauty of the world.

 

 

BEKSULTANOV AMANGELDY KUANYSHBEKOVICH

Was born in 1951, graduated from Almaty art school in 1972, the sculptor, the member of the Union of artists of RK.

Beksultanov works both in easel, and in a monumental sculpture. In the creativity he refuses the literary contents, opening an image through volume and space interaction. They act in works of the artist as two beginnings equal in rights, forming plasticity of work. Filled, integral, bearing an emotional charge, the form is the main carrier of figurative, substantial aspect of a sculpture.

 

 

BOLYUKH ALEXANDER IVANOVICH

Was born in 1949, graduated from the Ural school of applied art in 1976, the sculptor, the painter, the member of the Union of artists of RK.

A.Bolyukh is equally active both in a sculpture, and in painting though in recent years more and more prefers a depiction. Subjects chooses the simplest, but under its brush they find significant sense of the serious phenomenon: their philosophical and emotional saturation is so great. The letter that "prickly", sharp, gentle in the contacts, forms the unusual conduct of life, surrounding us usual things.

 

BOLYUKH NADEZHDA GRIGORIEVNA

Was born in 1954, graduated from the Ural school of applied art in 1976, the application engineer, the member of the Union of artists of RK.

Small plasticity N. Bolyukh is tens spotted amusing sketches, these are touching, naive, kind characters, it’s pleasure, the laughter, the concentrated reflection, happy idleness. It is the story about ourselves and about our life which suddenly reveals from an unexpected side, it is decked by all shades of feelings and emotions under a fixed look of the wise master. The psychology of the "small" person suddenly becomes very important and significant - the artist gives its such exact cut, without estimating, without analyzing, and only lovingly peering at figures and faces.

 

ESIRKEEV MEYRAM RAYMKULOVICH

Was born in 1950, graduated from the Karaganda polytechnical institute in 1973, the painter, the Member of the Union of artists of RK.

Presented by nature, at all without having got vocational education, M. Esirkeev grew in a peculiar master. More often he writes the steppe. Writes it in different conditions, at different times years. The artist perceives the steppe as the cozy warm house therefore "occupies" a landscape yurtas, horses. M. Esirkeev's cloths are really monumental. The artist skillfully operates with a "big" form, local spots of difficult color. However emotional filling of color gives it symbolical sounding and internal dynamics which isn't shown almost in external forms. Such combination of an internal expression and an external statics creates feelings the stiffened eternally lasting instant and lifts an image of a concrete landscape till an image of the Homeland.

 

IMANASOV VALERIY NIKOLAEVICH

Was born in 1950, graduated from Almaty art school in 1971, the schedule, the member of the Union of artists of RK.

V. Imanasov's compositions tell about the present or send us in the past. The artist considers each plot created by it through time prism. For it is very important to correlate last and real. At what it has no favorite composite schemes or receptions: the solution of a subject which visibly revives history spontaneously is born, doing it by a part of today.

 

 

ISLAMOV FARKHAT FARTOVICH

Was born in 1959, graduated from the Lvov printing institute in 1992, the painter, the member of the Union of artists of RK.

F.Islamov's cloths differ a thought confidence, a polisemantik of an image, limiting perfection. The artist often addresses to history, but history not the separate people or the state, and Mankind history. In it he tries to understand, explain the base, intrinsic representations put in a basis of human psychology. Therefore the metaphor becomes one of the main artistic touches in F.Islamov's works.

 

 

KALMAKHANOV AYDARHAN SEYTMAHANOVICH

Was born in 1972, graduated from the Karaganda State university of E.Buketov in 1993, the application engineer, the sculptor, the member of the Union of artists of RK.

More all A.Kalmakhanov works in the architectural environment which defines a ratio of components of its works. Often their form is stylized, generalized to a limit, following brutal forms of architecture. But the plastic volume can and, softly flowing, to stream, enriching space, giving it emotional coloring.

 

 

KALMAKHANOV MADIKHAN SEYTMAHANOVICH

Was born in 1974, graduated from the Kazakh State art Academy в1997 to year, the painter, the member of the Union of artists of RK.

M. Kalmakhanov works in the field of a landscape, a subject and thematic picture, in its landscapes the lyric-epic sounding penetrated by feeling of the Great steppe prevails. Subject and thematic works in which the generalized image of a national life is given, often are under construction against the same boundless steppe landscape: it defines the main emotional loading of a canvas.

 

 

KENESBAYEV TOLEUGALAY ALMAZOVICH

Was born in 1944, graduated from the Moscow printing institute in 1974, the schedule, the member of the Union of artists of RK.

Favorite equipment T.Kenesbayev - linocut. In it he creates industrial landscapes, historical compositions, but more all the artist reveals in a portrait. Difficult characters of contemporaries "are read" in a pose of the hero, an easy ducking, narrowing an eye. However contradictions don't cover with themselves valuable qualities of the personality.

 

KIM VLADIMIR VIKTOROVICH

Was born in 1936, graduated from Almaty art school in 1959, the painter, the member of the Union of artists of RK.

V. Kim's creativity united signs of classical European art and art of the far homeland. For its landscapes, portraits, still lifes accurately designated silhouette, the careful letter are characteristic pulled together tone of the main scale. He writes city small streets, park avenues, modest flowers, simple, not striking woman's faces, he writes ordinary life, he writes silence. The silence creates the atmosphere of a certain concentration, an appeal in itself.

 

 

KIM VLADIMIR PAVLOVICH

Was born in 1938, graduated from Saransk normal school in 1980, the painter, the member of the Union of artists of RK.

V. Kim works mainly in a landscape, prefers chamber, cozy corners of the nature. It is interesting to it to transfer a state of nature, and through it - a state of mind, mood. That as it is possible to express more precisely emotional nuances, the artist addresses to impressionism with its inclination to subjectivity of an image. V. Kim writes short dabs of a pure color. Its painting is multilayered, it differs special depth, the impressive surface, creates feeling of movement of masses in a canvas.

 

KURYMBAYEV AYNABEK PERDIKULOVICH

Was born in 1956, graduated from the Karaganda teacher training college in 1994, the sculptor, the member of the Union of artists of RK.

Works both in monumental, and in an easel sculpture. The scope of its works is various. These are the national types, traditional games and occupations, animals. Often A.Kurymbayev's sculptures are outwardly static. They have the closed, laconic silhouette which is fencing off the world of plasticity from surrounding space. In a silhouette the expression sated with emotions develops. The artist will stylize a natural form. Using an ornamental principle, he leads it to the decorative formula designating dynamic interaction of volumes.

 

MAZHITOVA TANSYK SABITBEKOVNA

Was born in 1967, graduated from Arkalyk teacher training college in 1990, the application engineer, the painter, the member of the Union of artists of RK.

In recent years the artist even more often addresses to a batic. Here she prefers animals. The beauty of an animal inspires her on creation lyrical, full of love to the nature of works. The measure of stylization chosen by T.Mazhitov leaves natural forms very recognizable and at the same time emphasizes their special decorative effect.

 

 

NOVOPOLTSEV NIKOLAY ALEXANDROVICH

Was born in 1948, graduated from the Penza art school in 1969, the sculptor, the member of the Union of artists of RK.

N. Novopoltsev on nature of the talent the sculptor of monuments, it executed large works in technicians of a relief, a mosaic, a list who are organically entered in architecture, giving it new art sounding, enriching its image. But its sculptural works are most significant, in them he refuses literature, transferring emotional heat through the volume and space relations.

 

PATSYURA ALEXANDER ANTONOVICH

Was born in 1967, graduated from the Karaganda State university of E.Buketov in 1996, the painter, the member of the Union of artists of RK.

The scope of creativity of A.Patsyura semantic is difficult, though is familiar to much: he writes the works based on Christian mythology to which gives own treatment, conformable to the present. It is characteristic for it plot structure and the manner of the letter originating in iconographic tradition with its special measure of stylization and simultaneous aspiration to completeness of transfer of all nuances of the visible world. Such approach does cloths festively elegant, decoratively expressive.

 

RAKOVA ELENA ALEXANDROVNA

Was born in 1959, graduated in Almaty theatrical and art institute in 1987, the application engineer, the member of the Union of artists of RK.

L.Rakova devoted the creativity to creation of a subject batic. Its batics about the simplest things, about the simplest relations and feelings: tendernesses, pleasures, gentle melancholy. It seldom applies an open local color, almost doesn't use reserves, preferring to write off color, dissolving a form in space. Warm golden ocher, brown, pink sometimes blow up cold greens or blue, increasing warmly solar scale. The beauty and conviviality are poured on works of the artist.

 

ROLYAN TATYANA GRIGORYEVNA

Was born in 1949, graduated from Art and graphic faculty of the Karaganda teacher training college in 1994, the application engineer, the member of the Union of artists of RK.

T.Rolyan works in ceramics where all technicians and technologies are subject to it, she owns secrets of many genres: from big thematic panels and a decorative sculpture to small plasticity. In the works the artist isn't satisfied with true decorative effect though this quality is inherent in it from the birth. She creates the works telling about relationship of people, about relationship of the person and the nature. These stories pour out in relationship of forms and volumes, sanguineous, filled, ascetic, refined. The beauty and conviviality are poured on works of the artist.

 

SUVOROVA GALINA ALEXANDROVNA

Was born in 1959, graduated from Krasnoturyin art school in 1981, the application engineer, the fashion designer, the member of the Union of artists of RK.

At the heart of creativity by G. Suvorova the idea of glorification of a feminine, as embodiments of the spiritual force creating the world on laws of beauty lies. It considers beauty not only as esthetic but also as ethical category, lifting it to concept of truth which in different eras and at the different people has the aspects. Often in work on collections it is inspired by a traditional national suit, without resorting to a vulgar ethnographic, but constantly sending the viewer to spiritual filling of concrete historical time. Its easel landscapes and still lifes from skin differ expressive simplicity.

 

FROLOV LEONID NIKOLAEVICH

Was born in 1946, graduated from the Kazakh State teacher training college of Abaya in 1968, the aquarellist, the application engineer, the member of the Union of artists of RK.

L.Frolov's water colors are always new opening of the world. The elements and eternal values of life reign in them. It is courageous and careful in the address with nature, whether it be a majestic landscape or a simple subject of a life. Not verbosity of a plot and complexity of the letter, often multilayered, give to sheets the internal depth, forcing to feel the special importance, an image signedness.

 

SHAYKEZHANOVA LYAZZAT AMANGELDYEVNA

Was born in 1970, graduated from the Karaganda teacher training college in 1994, the painter, the schedule, the member of the Union of artists of RK.

L.Shaykezhanova - the young artist with the developed, recognizable handwriting. Its brightly individual a makner differs some paradoxicality of the thinking, an unusual foreshortening of perception of reality when the reality familiar to us reveals from an unexpected side, slightly opening a veil, allowing to adjoin to true essence of things.

 

 

BALKENOV ZHURSIN SHAYAHMETOVICH

Was born in 1945, graduated from the Kazakh teacher training college of Abay in 1971, the critic, the doctor of pedagogical sciences, the professor, the member of the Union of artists of RK.

Z.Balkenov is a lot of time and forces gave to education of young generation of artists and designers. He is the participant of the international and republican scientific-theoretical conferences, the author of methodical and education guidances, art criticism articles, catalogs about creativity of the Kazakhstan artists, on problems of the concept of development of the fine arts of the republic, traditional folk art of Kazakhstan.

 

 

GAVRILOVA EVGENIYA PORFIRYEVNA

Was born in 1938, graduated from the Leningrad institute of painting, a sculpture and architecture of. I.Repin in 1966, the critic, the culturologist, the member of the Union of artists of RK.

E.Gavrilova author of a large number of articles, booklets, catalogs on questions of history and development of the fine arts of the Karaganda area, participant of the international, all-Union, republican scientific-theoretical and scientific and practical conferences. In recent years a lot of attention gives to studying of heritage of KARLAG: published the monograph and some guidebooks opening features of development of art culture of totalitarian society.

 

 

DARAYEVA LYUDMILA IVANOVNA

Was born in 1947, graduated from the Leningrad institute of painting, a sculpture and architecture of. I.Repin in 1973, the critic, the culturologist, the member of the Union of artists of RK.

L.Darayeva the author of the monograph, a large number of articles, booklets, catalogs in whom opens the main ways of development of the fine arts of Karaganda, considers creativity of certain artists, revealing features of their talent and correlating it with is general cultural realities of the present. Participant of the international, all-Union, republican scientific-theoretical and scientific and practical conferences.

 

 

ZOLOTAREVA LARISA ROMANOVNA

Was born in 1944, graduated from the Ural State university of. A.Gorkiy in 1982, the critic, the culturologist, the candidate of pedagogical sciences, the professor, the member of the Union of artists of RK, the member of AIS.

The great attention gives L.Zolotaryov to teaching activity, is the author of education guidances concerning the fine arts of Kazakhstan and Karaganda, psychology of art creativity. In art criticism articles, booklets, catalogs considers creativity of certain Karaganda artists. Participant of the international, all-Union, republican scientific-theoretical and scientific and practical conferences.

 

 

IVANINA NATALYA IVANOVNA

Was born in 1948, graduated from the Leningrad institute of painting, a sculpture and architecture of. I.Repin in 1972, the critic, the member of the Union of artists of RK, the member of AIS.

N. Ivanina the author of several monographs, numerous booklets, catalogs, articles concerning history and development of the fine arts of the Central Kazakhstan, gives a lot of attention to questions of synthesis of monumental art and architecture, development of architecture of the region, studies problems of traditional Kazakh art, investigating its art practice, semantics of its images. One of the first began a study of spiritual and art heritage of the subjected to repression artists, participated in formation of their collection in the Karaganda regional museum of the fine arts. Participant of the international, all-union scientific-theoretical conferences.

 

KURITSYN ALEXANDER FEODOROVICH

Was born in 1950, graduated from the Karaganda State polytechnical institute in 1977, the Honored worker of culture of RK.

About thirty years A.Kuritsyn works in staff of the Karaganda organization of the Union of artists. Under its direct management in 1979-1983 in Karaganda the art and production combine on which works monumental and monumental and decorative art in such materials, as metal are created, a stone, a stained-glass window, a mosaic, ceramics was constructed, transfer of sculptural holding to a material (bronze, a granite etc.) is made. The technology of molding from bronze on melted models was introduced in production for the first time in the republic on its initiative. Since 1992 of Kuritsyn A.F. heads as the director the production sphere of the RK Karaganda organization A. During Kuritsyn A. work about 70 works of a monumental sculpture which decorate the cities of Kazakhstan were cast in bronze, promote creation in them highly spiritual, esthetic environment.